Sony ZV-E10 Mirrorless Camera (White) with 16-50mm OSS II Lens | 24.2MP APS-C, 4K, Background Defocus, Product Showcase | 64GB Card, Wide Angle Lens, Tripod, Camera Case + Corel Software

Sony ZV-E10 Mirrorless Camera (White) with 16-50mm OSS II Lens | 24.2MP APS-C, 4K, Background Defocus, Product Showcase | 64GB Card, Wide Angle Lens, Tripod, Camera Case + Corel Software

• This Digital Camera Bundle Includes: Sony ZV-E10 Mirrorless Camera (White) USA Model With Limited 1-Year Manufacturer Warranty, Sony E PZ 16-50mm f/3.5-5.6 OSS II Lens (Silver), Sony NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh), Sony AC Adapter, 64GB Memory Card.
• Camera Case, Shoulder Strap, 50 inch Camera Tripod, Wind Screen, Wind Screen Adapter, .43 Wide Angle Lens Attachment, 2.2x Telephoto Lens Attachment, Sony ALC-B1EM Body Cap (Sony E), Sony ALC-F405S 40.5mm Front Lens Cap, Sony ALC-R1EM Rear Lens Cap, 3pc Filter Set, Cleaning Kit, Memory Card Reader, USB-C Cable, Corel Photo & Video Software.
• Taking a concept that originated with the ZV-1, the ZV-E10 is the mirrorless continuation of this idea of a camera built around the concept of vlogging. It's a highly capable and portable camera but incorporates a series of design choices and shooting modes that are ideal for single-person productions. A vari-angle screen lets you accurately frame up shots, the integrated directional mic is purpose-built for recording more accurate sound from front-facing subjects.
• UHD 4K video recording is possible up to 30p and uses full pixel readout with 6K oversampling to yield greater detail with reduced moiré and aliasing. Full HD 1080p recording is supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
• Affording extensive customizable color and gamma controls, the ZV-E10 allows users to adjust the gamma, black level, knee, color level, and more. Use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras, which squeezes up to 1300% more dynamic range into the video signal then traditional Rec. 709, for increased post-production flexibility.