DECORARTS Van Gogh Canvas Wall Art, Tree Roots, 16x20''
Product Description
DECORARTS Van Gogh Canvas Wall Art, Tree Roots, 16x20''
- Energy of Nature: Van Gogh's Olive Trees with Yellow Sky and Sun glows with swirling color and motion, capturing the eternal pulse of sunlight and life.
- Archival Color That Lasts: Giclee printed with genuine professional-grade pigment inks on archival, acid-free canvas, offering rich detail and proven fade resistance for over 100 years of lasting beauty in normal indoor display.
- 3-Panel Gallery Wrapped Canvas: Each panel 16x20", total size 48x20". Hand-stretched over solid wood bars, forming a seamless panoramic display.
- Ready to Hang: Comes with gloves, nails, and a mini level for easy and precise installation. Carefully packaged for protection.
- Made in the USA: A stunning Van Gogh reproduction that brings passion, light, and vitality into modern interiors.
Tree Roots
Tree Roots is an oil painting by Vincent van Gogh that he painted in July 1890 when he lived in Auvers-sur-Oise, France. The painting is an example of the double-square canvases that he employed in his last landscapes.
Van Gogh spent the last few months of his life in Auvers-sur-Oise, a small town just north of Paris, after he left an asylum at Saint-Rémy in May 1890. The painting is considered by some to be his last painting before his death late July 1890.
Jan Hulsker considers it the most original of his double-square canvases. The viewer thinks he can identify tree roots and trunks, but is hard put to identify the subject as a whole. Van der Veen and Knapp comment that in this painting, as also in Undergrowth with Two Figures, the painting itself and not the subject is pre-eminent, heralding abstract painting and German expressionism.
As far back as 1882, while at The Hague, van Gogh had made a study of tree roots, Study of a Tree (below), which he had completed at the same time as a larger version (now lost) of Sorrow. In a letter to his brother Theo, van Gogh said that he wanted to express something of life's struggle in these drawings. It is not known whether he had returned to the same thoughts with his 1890 Tree Roots. The letters give no hint and the colours are perhaps too bright for such sombre thoughts.
Technical Specifications
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