DECORARTS - Flaming June, Frederic Leighton Classic Art Reproduction. Giclee Canvas Prints Wall Art for Home Decor 30x24 x1.5
Product Description
DECORARTS - Flaming June, Frederic Leighton Classic Art Reproduction. Giclee Canvas Prints Wall Art for Home Decor 30x24 x1.5
- Immersive glow: The deeper profile intensifies the molten folds and summer light, drawing you into a living reverie of warmth and calm
- Archival Color That Lasts: Giclee printed with genuine professional-grade pigment inks on archival, acid -free canvas, offering rich detail and proven fade resistance for over 100 years of lasting beauty in normal indoor display.
- Collector's presence: Gallery depth turns the radiant drapery into a sophisticated focal point-sumptuous, modern, beautifully serene
- Gallery -Depth Build (Made in USA): Overall 24x30", 1.5" gallery -wrap; archival poly -cotton resists the slack seen in polyester; knot -free Canadian pine (not MDF) keeps the piece straight for museum -style presence
- Secure Packaging & Easy Setup: Packed in a sturdy carton with corrugated corner protectors. Ready to hang; complimentary hanging kit included-gloves, nails/screws, and a level
Flaming June By Frederic Leighton
Flaming June was first begun as a motif to adorn a marble bath in one of Leighton's other works, Summer Slumber. He became so attached to the design that he decided to create it as a painting in its own right.
The position of the sleeping woman gave Leighton a great deal of trouble. He made several preliminary sketches to determine the way in which she should lie; in particular he had difficulty making the angle of her right arm look natural. His studies show that the picture went through at least four evolutionary sketches before Leighton came to the end result. Out of these studies, four are nude and one is draped. The draped figure looks the least lifelike, demonstrating Leighton's need to draw from a naked model to achieve a fidelity to nature.
Flaming June has become Leighton's most recognisable picture. The realism of the transparent material worn by the sleeping woman, the stunningly rich colours and the perfectly recreated marble surround are characteristic of Leighton's work, as is his use of natural light. He allows the sunset in the background to appear as molten gold.







